Wednesday, February 29, 2012

Photographically Speaking: A Deeper Look at Creating Stronger Images (Voices That Matter)

Photographically Speaking: A Deeper Look at Creating Stronger Images (Voices That Matter) Review



When looking at a photograph, too often a conversation starts–and, unfortunately, ends–with a statement such as, “I like it.” The logical next question, “Why?”, often goes unasked and unanswered. As photographers, we frequently have difficulty speaking about images because, frankly, we don’t know how to think about them. And if we don’t know how to think about a photograph and its “visual language”– how an image is constructed, how it works, and why it works–then, when we’re behind the camera, are we really making images that best communicate our vision, our original intent? Vision–crucial as it is–is not the ultimate goal of photography; expression is the goal. And to best express ourselves, it is necessary to learn and use the grammar and vocabulary of the visual language.

Photographically Speakingis about learning photography’s visual language to better speak to why and how a photograph succeeds, and in turn to consciously use that visual language in the creation of our own photographs, making us stronger photographers who are able to fully express and communicate our vision. By breaking up the visual language into two main components–“elements” make up its vocabulary, and “decisions” are its grammar–David duChemin transforms what has traditionally been esoteric and difficult subject matter into an accessible and practical discussion that photographers can immediately use to improve their craft. Elements are the “words” of the image, what we place within the frame–lines, curves, light, color, contrast. Decisions are the choices we make in assembling those elements to best express and communicate our vision–the use of framing, perspective, point of view, balance, focus, exposure.

All content within the frame has meaning, and duChemin establishes that photographers must consciously and deliberately choose the elements that go within their frame and make the decisions about how that frame is constructed and presented. In the second half of the book, duChemin applies this methodology to his own craft, as he explores the visual language in 20 of his own images, discussing how the intentional choices of elements and decisions that went into their creation contribute to their success.


Saturday, February 25, 2012

The Negative (Ansel Adams Photography, Book 2)

The Negative (Ansel Adams Photography, Book 2) Review



The early chapters are devoted to a discussion of light, film and exposure. What follows is a detailed discussion of the zone system, chapters on natural and artificial light and at the end is an extensive chapter on the darkroom and its equipment.


Tuesday, February 21, 2012

Digital Photography For Dummies®, Mini Edition

Digital Photography For Dummies®, Mini Edition Review



Choose the settings that make your digital photos better

Can't wait to see what you and your digital camera can do? Packed with examples of what you can accomplish, this book gives you the inside scoop on camera features, setting up shots, downloading your photos, and a whole lot more!

Open the book and find:

  • Basic camera settings and digital photo file formats

  • When to use your camera's flash

  • Tips for composing good pictures

  • How to transfer photos from your camera to your computer

  • How automatic scene modes simplify photo taking


Sunday, February 19, 2012

Expressive Photography: The Shutter Sisters' Guide to Shooting from the Heart

Expressive Photography: The Shutter Sisters' Guide to Shooting from the Heart Review



When a photograph captivates you and stirs your soul, you know it instinctively. You not only see the image, you feel it. But how do you capture shots like that with your own camera? How do you make your photographs worth the proverbial thousand words? From portraits to landscapes, still-lifes to documentary shots, Expressive Photography will not only show you why certain images sing, it will also teach you how to create your own compelling photographic images--one click at a time. Visually stunning and unique in its collaborative approach, this book brings the spirit of the immensely popular Shutter Sisters' blog to the printed page through the voice and photography of its founding members.

  • Written by the immensely popular Shutter Sisters, Blogger's Choice Award nominees for best blog
  • Themed chapters containing the voices of several photographers give artistic insights into any shooting opportunity
  • Evocative imagery that captures the emotion of the moment
  • Compositional tips and recommendations throughout


Monday, February 13, 2012

Understanding Exposure, 3rd Edition: How to Shoot Great Photographs with Any Camera

Understanding Exposure, 3rd Edition: How to Shoot Great Photographs with Any Camera Review



Understanding Exposure, 3rd Edition: How to Shoot Great Photographs with Any Camera Feature

  • ISBN13: 9780817439392
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

With more than 350,000 copies sold, Understanding Exposure has demystified the complex concepts of exposure for countless photographers. Now updated with current technologies, more than one hundred new images, and an all-new chapter, this new edition will inspire you more than ever to free yourself from “auto” and create the pictures you truly want.

In his trademark easy-to-understand style, author Bryan Peterson explains the relationship between aperture and shutter speed, including how to achieve successful exposures in seemingly difficult situations. You’ll learn:

• Which aperture gives you the greatest contrast and sharpness, and when to use it 
• Which apertures guarantee the background remains an out-of-focus tone 
• Which one aperture—when combined with the right lens—creates an area of sharpness from three feet to infinity 
• How to creatively use shutter speed to either freeze an action or imply motion 
• Where to take a meter reading when shooting a sunset, snow, or a city at dusk

With new information on white balance, flash, HDR, and more, this updated classic will inspire you to stop guessing and take control of your settings for better photos anytime, anywhere, and with any camera.


Saturday, February 11, 2012

The Book of Photography: The History, the Technique, the Art, the Future

The Book of Photography: The History, the Technique, the Art, the Future Review



Since its invention in 1839, photography has come to change not only the way we view the world, but the world itself. Every field—medicine, astronomy, journalism, art, geography, history—has been revolutionized by photography.

Now, spanning more than 166 years of photographic history and the work of more than 250 photographers, this comprehensive and global volume explores every aspect of photography-the newest inventions, revolutionary past, ever-changing technical and aesthetic developments, and the personal stories and styles of photographers worldwide. Illustrated with photographs from around the world, The Book of Photography is a beautiful and easy-to-use reference. Timelines summarize major milestones, while sidebars tell the human and technological stories behind them. Organized by subject, the book includes chapters on: Still Life, Cityscape, Architecture, Portraiture, Exploration, Ethnography, Wildlife, Photojournalism and Documents of Social Concern, Fashion and Advertising, plus a biographical dictionary of the major photographers, institutions, and key historical figures.

The authoritative book for those who want to increase their understanding and appreciation of photography, The Book of Photography is a wealth of knowledge to be treasured.


Friday, February 10, 2012

The Digital Photography Book, Volume 3

The Digital Photography Book, Volume 3 Review



Scott Kelby, author of The Digital Photography Book, volume 1 (the world’s best-selling digital photography book of all time), is back with a follow-up to his volume 2 smash best seller, with an entirely new book that picks up right where he left off. It’s even more of that “Ah ha—so that’s how they do it,” straight-to-the-point, skip-the-techno-jargon stuff you can really use today to make your shots even better.

This book truly has a brilliant premise, and here’s how Scott describes it: “If you and I were out on a shoot and you asked me, ‘Hey Scott, I want the light for this portrait to look really soft and flattering. How far back should I put this softbox?’ I wouldn’t give you a lecture about lighting ratios, or flash modifiers. In real life, I’d just turn to you and say, ‘Move it in as close to your subject as you possibly can, without it actually showing up in the shot.’ Well, that’s what this book is all about: you and I out shooting where I answer questions, give you advice, and share the secrets I’ve learned, just like I would with a friend—without all the technical explanations and techie photo speak.”

Each page covers a single concept on how to make your photography better. Every time you turn the page, you’ll learn another pro setting, tool, or trick to transform your work from snapshots into gallery prints. If you’re tired of taking shots that look “okay,” and if you’re tired of looking in photography magazines and thinking, “Why don’t my shots look like that?” then this is the book for you.

This isn’t a book of theory—full of confusing jargon and detailed concepts. This is a book on which button to push, which setting to use, and when to use it. With nearly 200 more of the most closely guarded photographic “tricks of the trade,” this book gets you shooting dramatically better-looking, sharper, more colorful, more professional-looking photos every time.


Thursday, February 9, 2012

Learning to See Creatively: Design, Color & Composition in Photography (Updated Edition)

Learning to See Creatively: Design, Color & Composition in Photography (Updated Edition) Review



Almost everyone can “see” in the conventional sense, but developing photographic vision takes practice. Learning to See Creatively helps photographers visualize their work, and the world, in a whole new light.

Now totally rewritten, revised, and expanded, this best-selling guide takes a radical approach to creativity. It explains how it is not some gift only for the “chosen few” but actually a skill that can be learned and applied. Using inventive photos from his own stunning portfolio, author and veteran photographer Bryan Peterson deconstructs creativity for photographers. He details the basic techniques that went into not only taking a particular photo, but also provides insights on how to improve upon it—helping readers avoid the visual pitfalls and technical dead ends that can lead to dull, uninventive photographs.

This revised edition features the latest information on digital photography and digital imaging software, as well as an all-new section on color as a design element. Learning to See Creatively is the definitive reference for any photographers looking for a fresh perspective on their work.


Monday, February 6, 2012

The Art of Photography: An Approach to Personal Expression

The Art of Photography: An Approach to Personal Expression Review



This is an updated and newly revised edition of the classic book The Art of Photography (originally published in 1994), which has often been described as the most readable, understandable, and complete textbook on photography. With well over 100 beautiful photographic illustrations in both black-and-white and color, as well as numerous charts, graphs, and tables, this book presents the world of photography to beginner, intermediate, and advanced photographers seeking to make a personal statement through the medium of photography. Without talking down to anyone, or talking over anyone's head, Barnbaum presents "how to" techniques for both traditional and digital approaches. Yet he goes well beyond the technical, as he delves deeply into the philosophical, expressive, and creative aspects of photography so often avoided in other books.

Bruce Barnbaum is recognized as one of the world's finest landscape and architectural photographers, and for decades has been considered one of the best instructors in the field of photography. This latest incarnation of his textbook, which has evolved, grown, and been refined over the past 35 years, will prove to be an ongoing, invaluable photographic reference for years to come. It is truly the resource of choice for the thinking photographer.


Friday, February 3, 2012

Tony Northrup's DSLR Book: How to Create Stunning Digital Photography

Tony Northrup's DSLR Book: How to Create Stunning Digital Photography Review



The Digital Single Lens Reflex (DSLR) camera is a revolutionary way to capture images and create art. This book picks up where your camera manual leaves off, teaching you to make pictures that truly show the beauty of the world around you. In this book, Tony Northrup teaches you both the art and science to create stunning pictures. You will learn how shutter speed, aperture, ISO, and flash impact your photos. You will also learn how to compose pictures, understand the qualities of natural and artificial light, and how to best add flash. More than 350 original pictures show the results of both good and bad technique, and you can complete the practices at the end of every chapter to get the hands-on experience that you need. Beyond the fundamentals, Tony dedicates entire chapters to portraits (including natural light, flash, and studio environments), weddings, animals and nature, landscapes and cityscapes, night and light painting, High Dynamic Range (HDR), macro/close-up, and underwater photography. When pictures don’t turn out the way you hoped, you can refer to Chapter 5 for tips on solving common problems. Because digital photography is a fast-moving field, Tony invented a brand new publishing process to keep this book up-to-date (as of December 2011). While other books waste time describing outdated photography technology, this book describes only modern DSLRs and post-processing software.


Thursday, February 2, 2012

The Big Book of Pussy

The Big Book of Pussy Review



The body part series wraps up with the origin of us all

First, The Big Book of Breasts, then The Big Penis Book, The Big Book of Legs, and the weighty Big Butt Book. What could follow but an in-depth exploration of the female pudendum, that coveted orifice man spends nine months trying to escape, and a lifetime attempting to reenter? The Big Book of Pussy, not to be confused with a book of big pussy, closes out this popular series with an offering sure to be as controversial as it is popular. As in previous volumes, editor Dian Hanson delves into the historical significance of this humble os, to show how the yoni has been coveted, feared, reviled, and worshipped by civilizations worldwide, from New Guinea to old Ireland. The text is supported by playful photographs of women exposing their vulvas, from 1900 to the present day. Because depiction of this body part has long been wrapped in unwarranted shame, The Big Book of Pussy reframes the subject, featuring models who expose their most private part enthusiastically, happily, with smiles spread wide as… well, you get the picture. And with 400+ photos the point is made emphatically, in images both naturally furry and stylishly groomed.

Included are interviews with the auteur known as Pussyman, the ex-cop who turned masturbation into millions with a toy called the Fleshlight,  Vanessa del Rio, squirter Flower Tucci, vaginal performance artist Mouse, and the singular Buck Angel. Contemporary photographers Terry Richardson, Richard Kern, Ralph Gibson, Jan Saudek, Guido Argentini, Ed Fox and others share their favorite pussy photos, so that by page 372 even the shiest reader will be calling, “Here, kitty, kitty!”